
Every Track and Field athlete knows that the 4×400 meter relay is one of the hardest, most widely dreaded events for the runners. Spectators absolutely love it, however. It’s always the last event of the meet, so it’s usually run in the dark with the stadium lights illuminating the track. Four people run four hundred meters, which is one lap of the track. In this relay, just about anything can happen at any point. It’s never known if a runner will drop the split of a lifetime and get their team from fifth to first just before the finish, or if someone who started out strong will suddenly fade two hundred meters in. Four hundred meters is a sprinting distance, so it’s usually safe to assume that only sprinters will be running the 4×400. However, as a distance runner who is also decent at this race, I never know when I will be put in.
For Track invitationals, I typically run the 4×800 and the mile, but the ever present threat of the 4×400 at the end of the meet looms over me. Time and time again, I will have finished my races, done a three mile cool down, and eaten tons of food, only to discover twenty minutes before the 4×400 is set to go off that one of the sprinters is injured and that I will be running it. One time, I had consumed a whole Chipotle bowl and chocolate milk after running the mile, and unfortunately had to run the 4×400. As someone who likes to be prepared, this always throws me off, even though at this point I should probably be used to it.
When I’m running this event, I feel a strange sort of pressure. It’s different from what I feel when I’m running my own events, because I know how to perform well in those, and don’t have as much to prove. However, the past two years, the girls varsity 4×400 has placed third in the state at the statemeet. So when I’m thrown into this relay, I feel the pressure to prove that I won’t hold the relay back, and that we can still do well, even with a distance runner racing it. As much as I might complain about running the 4×400, I actually kind of enjoy the pressure, the excitement, and the community surrounding the 4×400.



And now, here I am, sixteen going on seventeen, but not in some magical, cinematic performance choreographed and sung in a gazebo. I remember recreating this scene with my friend, twirling each other around and singing in unison. The reality felt lifetimes away. But growing up doesn’t display itself in a big musical number; there’s no warning, one day it just happens.